The ARRI Mini LF Could Be The Best Cinema Camera Ever Built
March 28, 2019: "ARRI today unveils its new ALEXA Mini LF camera. Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system. Robust and reliable, it provides the best overall image quality for large-format shooting, and features three internal motorized FSND filters, 12 V power input, extra power outputs, a new Codex Compact Drive, and a new MVF-2 high-contrast HD viewfinder". - ARRI NEWS
The ARRI Mini LF is a highly regarded digital cinema camera known for its exceptional image quality and versatile features.
Key Features and Considerations:
Large Format Sensor:
The ARRI Mini LF features a large-format sensor, contributing to its ability to capture stunning, high-resolution images with a cinematic aesthetic.
Spec: Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
Sensor Active Image Area:
4.5K LF 3:2 Open Gate: 4448 x 3096
4.5K LF 2.39:1: 4448 x 1856
4.3K LF 16:9: 4320 x 2430
3.8K LF 16:9: 3840 x 2160
2.8K LF 1:1: 2880 x 2880
3.4K S35 3:2: 3424 x 2202
3.2K S35 16:9: 3200 x 1800
2.8K S35 4:3: 2880 x 2160
2.8K S35 16:9: 2880 x 1620
Dynamic Range: 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Versatility:
The camera is designed for various filmmaking applications, from feature films and TV series to commercials and documentaries. Its versatility makes it a popular choice among filmmakers with diverse project requirements.
Compact and Lightweight:
Despite its large-format capabilities, the Mini LF is relatively compact and lightweight compared to some other large-format cameras. This makes it suitable for handheld and gimbal work.
Spec: ∼2.6 kg / ∼5.7 lbs (camera body with LPL lens mount) 800 g (MVF-2)
ARRI Color Science:
ARRI is renowned for its color science, and the Mini LF continues this tradition. Filmmakers appreciate the camera's ability to capture natural and pleasing skin tones, as well as its color grading flexibility in post-production.
High Frame Rates:
The Mini LF supports high frame rates, allowing filmmakers to achieve creative effects such as slow-motion sequences. This feature is valuable for capturing dynamic and visually engaging footage.
Spec: 0.75 - 90 fps
Build Quality:
ARRI cameras are known for their robust build quality and durability. The Mini LF is designed to withstand the rigors of professional filmmaking, both in studio and on-location environments.
Integrated Wireless Video:
The camera features an integrated wireless video system, providing convenient monitoring solutions for the camera crew on set.
User Interface and Controls:
The ARRI Mini LF offers an intuitive user interface and controls, allowing cinematographers and camera operators to navigate settings easily. This is crucial for efficient workflow on set.
ARRIRAW and ProRes Recording:
The camera supports recording in both ARRI's proprietary ARRIRAW format and ProRes, providing flexibility in choosing the recording format based on production requirements.
Spec:
MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Expansive Lens Compatibility:
The camera is compatible with a wide range of ARRI lenses, offering filmmakers flexibility in choosing optics to achieve their desired visual style.
Spec:
LPL lens mount with LBUS connector
PL-to-LPL adapter
EF Mount (LBUS)
Leitz M mount (availbale from Leitz)
Cost:
ARRI cameras, including the Mini LF, are professional-grade equipment with a corresponding price point. Budget considerations may impact the accessibility of this camera for some filmmakers. It is primarily geared towards big budget production studios.
Used: There have been instances of this camera being sold for as little as $35,000 excluding lenses. This may seam a bit steep but for this camera that is a bargain.
Workflow:
While ARRI cameras are known for their image quality, some filmmakers may prefer different camera systems based on their preferred workflow, post-production processes, or specific project requirements.
Conclusion:
The ARRI is an extremely capable cinema camera that provides more than enough features for todays filmmakers. That said, this industry is always on the move as technology advances at a pace never thought possible a few decades ago. As this technology evolves, it's advisable to check for the most recent reviews, user experiences, and any new features or updates that may have been introduced to the ARRI Mini LF or other ARRI camera systems.
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